In the cultural context cars auction of post-communist countries often persists that state support

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Intervention Livie Klausen concerning the work in the form of Dalibor Bača Czech (oslovensk) ej flags placed on the ground caused by stopping already allocated subsidies for exhibition project Private nationalism. Explanation that the Ministry cars auction of Culture has provided media, read: "The state money to the state symbols not tread. "
This statement is in their arrogance so symbolic that inadvertently reveals the nature of the discourse on state support for art in Slovakia. Funds allocated to the Ministry of Culture to support the arts are seen as money "state" is a matter of state power to decide on the benefits of art for the same national interest. And without any discussion.
This is the shorter time it would be the second stop financial support cars auction for a critical presentation of the work of art. After last year's affair around the bomb works by a group of artists Kassaboys (more about the affair cars auction here), had to close down because of unallocated support Make Up Gallery in Kosice cars auction operated group Kassaboys. These cases (except many other) show that the theory of how the critical and activist-oriented work and projects favored cars auction by the grant schemes, which believes many artists / male and female, has in Slovakia and the Czech Republic realistic basis.
The main issue while dilemma is whether projects cars auction directly oriented to the social and political criticism cars auction were to be financed from the state budget. State support critical projects may deem illogical at first glance, or even absurd. Why should he get paid by critic complained? The answer does not lie in motivating critical artists and female artists to receive state support, but in thinking about the situation, if the promotion of critical art projects with public funds from the principle avoid. If it were only supported art "ideologically harmless" or just in their judgments of the ruling elite and we would get back into a situation well known from the past. Choosing art worthy of support, would run the ideological basis and not on the basis of quality of submitted projects. cars auction Thus the essential characteristic of a potentially cars auction successful art project applying for the grant had to be especially its harmlessness. Ultimately, this would mean that critical projects would be supported by sponsors (with the possible motivation to settle accounts with just the ruling establishment's) or would continue the present practice, when these projects arise at the knee, with my own money artists and female artists cars auction and thus have a substantially disadvantaged position. A strong motivation State should form their own support criticism. In a democratic society, it is one of the basic mechanisms cars auction of continuous cars auction positive development.
In the cultural context cars auction of post-communist countries often persists that state support for arts means state control cars auction and loss of freedom. cars auction It can support critical projects to reverse this view. Belief that public money is money "mode" (as they refer to some artists cars auction of the older generation), the theory of persistence of the last century. Promoting social criticism from the public budget does not support granted by the ruling regime, but it is part of public finance used to criticism unsatisfactory state of public affairs.
Here, of course, there is a problem on the other - in a position in which the critic gets admission, therefore public support. This position depends on the manner in which his work will be presented, or 'instrumentalised'. Critical work can in fact be re-used to retouch factual inability of the state to cope with the problems criticized. cars auction Instead of real change is easier to accept and support of their criticism and thus disguise inaction. This problem, however, is much stronger presence in Western Europe. While, for example, in the German political cars auction environment is supported and subsidized arts practice our art critical art projects tend to be perceived rather suspiciously and motivation for their creation is often interpreted as an effort to own media visibility. This may lead to critical projects in Western Europe to bring financial gain and recognition, but are also more prone to appropriate institutions, which may present a critique of his own needs. Western cars auction artists and artist, however, have their own choice if the state offered support and seek to address the risk of possible misuse of his own critically-oriented work. Slovakia are artists and artists while criticizing social problems especially in the form of a simple choice dilemma: own or